Season
- Season 5 1956-09-18
- Season 4 1955-09-13
- Season 3 1954-10-12
- Season 2 1953-09-29
- Season 1 1952-10-01
Episode
- Episode 1: Sam and the Whale
- Episode 2: The Stolen General
- Episode 3: Breakfast at Nancy's
- Episode 4: Sunset at Appomattox
- Episode 5: And to Fame Unknown
- Episode 6: A Time to Grow
- Episode 7: Tiger's Tail
- Episode 8: The Last Will of Daniel Webster
- Episode 9: Major Pauline
- Episode 10: Betrayal
- Episode 11: Riders of the Pony Express
- Episode 12: One Nation Indivisible
- Episode 13: Mr. Peale's Dinosaur
- Episode 14: G for Goldberger
- Episode 15: Smyrna Incident
- Episode 16: Man of Glass
- Episode 17: The Plume of Honor
- Episode 18: Margin of Victory
- Episode 19: The Absent Host
- Episode 20: Duel at the OK Corral
- Episode 21: The Splendid Dream
- Episode 22: Young Andy Jackson
- Episode 23: Escape
- Episode 24: Riddle of the Seas
- Episode 25: Crazy Judah
- Episode 26: A Strange Journey
- Episode 27: The Paper Sword
- Episode 28: Saturday Story
- Episode 29: Spindletop
- Episode 30: Moonlight School
- Episode 31: Cat With Crimson Eyes
- Episode 32: The Skipper's Lady
- Episode 33: Courage in Connecticut
Cavalcade of America Season 2 The Paper Sword
Cavalcade of America is an anthology drama series that was sponsored by the DuPont Company, although it occasionally presented a musical, such as an adaptation of Show Boat, and condensed biographies of popular composers. It was initially broadcast on radio from 1935 to 1953, and later on television from 1952 to 1957. Originally on CBS, the series pioneered the use of anthology drama for company audio advertising. Cavalcade of America documented historical events using stories of individual courage, initiative and achievement, often with feel-good dramatizations of the human spirit's triumph against all odds. This was consistent with DuPont's overall conservative philosophy and legacy as an American company dating back to 1802. The company's motto, "Maker of better things for better living through chemistry," was read at the beginning of each program, and the dramas emphasized humanitarian progress, particularly improvements in the lives of women, often through technological innovation.
